Experience

• Unreal Environment Generalist at Scanline VFX

  Remote, United States of America

  February 2022 - Present

  ◦ Worked on multiple projects, with team of 30+ people from around the world, consisting of art directors, producers, environment artists and tech artists
  
  ◦ Created 3D compositions based on concept art & paintovers provided by clients, project leads and supervisors
  
  ◦ Presented work to project leads and supervisors regularly for feedback and critique
  
  ◦ Modeled, optimized and textured hard-surface and organic assets
  
  ◦ Worked under tight deadlines, frequently taking on new responsibilities and tasks to help balance the workload of the team
  
  ◦ Created and animated cameras, captured and rendered footage under guidance
  
  ◦ Tracked tasks using ShotGrid

• Unreal Environment Generalist at Eyeline Studios

  Remote , United States of America

  February 2022 - Present

  ◦ Worked on multiple projects, with team of 30+ people from around the world, consisting of art directors, producers, environment artists and tech artists
  
  ◦ Created 3D compositions based on concept art & paintovers provided by clients, project leads and supervisors
  
  ◦ Presented work to project leads and supervisors regularly for feedback and critique
  
  ◦ Modeled, optimized and textured hard-surface and organic assets
  
  ◦ Worked under tight deadlines, frequently taking on new responsibilities and tasks to help balance the workload of the team
  
  ◦ Created and animated cameras, captured and rendered footage under guidance
  
  ◦ Tracked tasks using ShotGrid

• Environment Artist (VAD) at Happy Mushroom

  Remote , United States of America

  January 2021 - January 2022

  ◦ Worked on multiple projects, with team sizes ranging from 5 to 20 people, consisting of art directors, producers, environment artists and tech artists
  
  ◦ Created 3D compositions based on concept art & paintovers provided by clients, project leads and supervisors
  
  ◦ Presented work to clients, project leads and supervisors regularly for feedback and critique
  
  ◦ Modeled, optimized and textured hard-surface and organic assets
  
  ◦ Built, edited, retopologized and textured 3D scans
  
  ◦ Worked under tight deadlines, frequently taking on new responsibilities and tasks to help balance the workload of the team
  
  ◦ Created and animated cameras, captured and rendered footage under guidance
  
  ◦ Created and maintained documentation for 3D assets for clients and internal use
  
  ◦ Tracked tasks using ShotGrid, Jira and Slack

• Asset Builder/Ingestor at Happy Mushroom

  Remote, United States of America

  October 2020 - January 2021

  ◦ Worked with a team of 7 to 10 people, consisting of art directors, producers, environment artists and tech artists
  
  ◦ Created 3D compositions based on concept art & paintovers provided by clients, project leads and supervisors
  
  ◦ Modeled, optimized and textured hard-surface and organic assets
  
  ◦ Worked under tight deadlines, frequently taking on new responsibilities and tasks to help balance the workload of the team
  
  ◦ Created and maintained documentation for 3D assets for clients and internal use
  
  ◦ Tracked tasks using Jira and Slack

• 3D Environment Artist at Superbrothers A/V Inc.

  Remote, Canada

  June 2020 - September 2020

  ◦ Worked with a team of 50+ people from around the world, consisting of artists, programmers, designers and producers
  
  ◦ Created 3D compositions based on concept art & paintovers provided by project leads and supervisors
  
  ◦ Modeled, sculpted, optimized and textured hard-surface and organic assets
  
  ◦ Tracked tasks using Asana and Slack